{"id":9416,"date":"2022-10-14T10:34:28","date_gmt":"2022-10-14T08:34:28","guid":{"rendered":"https:\/\/biarchitecture.org\/herritarrentzako-jarduerak\/perpetum-mobile\/"},"modified":"2022-10-19T17:36:24","modified_gmt":"2022-10-19T15:36:24","slug":"perpetum-mobile","status":"publish","type":"page","link":"https:\/\/biarchitecture.org\/eu\/herritarrentzako-jarduerak\/perpetum-mobile\/","title":{"rendered":"Perpetum Mobile"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row padding_top_multiplier=&#8221;4x&#8221; padding_bottom_multiplier=&#8221;2x&#8221; rc_heading_color=&#8221;light&#8221; rc_bg_type=&#8221;gradient&#8221; rc_bg_gradient_color_1=&#8221;#66625b&#8221; rc_bg_gradient_color_2=&#8221;rgba(102,98,91,0.78)&#8221; separator_top=&#8221;tilt-left-separator&#8221; separator_top_size=&#8221;60px&#8221; separator_bottom_size=&#8221;60px&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;80px&#8221;][vc_column rc_heading_color=&#8221;light&#8221; z_index=&#8221;10000&#8243;]<h1 class=\"eut-element eut-title eut-align-inherit eut-h1\" style=\"\"><span>Perpetum Mobile<\/span><\/h1>[\/vc_column][\/vc_row][vc_row padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;primary-2&#8243;][vc_column width=&#8221;2\/3&#8243; rc_bg_type=&#8221;color&#8221; rc_bg_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1605869515982{padding-top: 60px !important;padding-right: 60px !important;padding-bottom: 60px !important;padding-left: 60px !important;}&#8221;]<h2 class=\"eut-element eut-title eut-align-inherit eut-h2\" style=\"\"><span>Zinema, Arkitektura eta Hiri Erakusketa<\/span><\/h2>[vc_column_text]<\/p>\n<h3>Azaroaren 1etik 3ra<br \/>\n<span class=\"verde\">Bizkaia Aretoa, Mitxelena Aretoan<\/span><\/h3>\n<p><strong><a href=\"https:\/\/goo.gl\/maps\/qvqH6pq9kG7jkjoh9\" target=\"_blank\" rel=\"noopener\">Ikusi kokapena<\/a> &#8211; <\/strong><a href=\"https:\/\/www.ehu.eus\/documents\/1625156\/12263457\/Planta+baja.pdf\/3682bc1b-5e6d-2695-1580-4ed8d4f7394d?t=1559745954000\" target=\"_blank\" rel=\"noopener\"><strong>Ikusi gelaren planoa<\/strong><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row rc_heading_color=&#8221;primary-2&#8243;][vc_column]<h3 class=\"eut-element eut-title eut-align-inherit eut-h3\" style=\"\"><span>Azaroak 1 <\/span><\/h3>[\/vc_column][\/vc_row][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;light&#8221; columns_gap=&#8221;none&#8221; equal_column_height=&#8221;equal&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;2em&#8221;][vc_column width=&#8221;1\/2&#8243; rc_bg_type=&#8221;color&#8221; css=&#8221;.vc_custom_1665736453011{padding-top: 40px !important;padding-right: 40px !important;padding-bottom: 50px !important;padding-left: 60px !important;}&#8221; rc_bg_color=&#8221;#00afa9&#8243;]<h3 class=\"eut-element eut-title eut-align-left eut-h4\" style=\"\"><span>18:00<span class=\"eut-title-line eut-title-left-line eut-bg-primary-2\" style=\"width: 50px;height: 1px;\"><\/span><\/span><\/h3><h4 class=\"eut-element eut-title eut-align-inherit eut-h5\" style=\"\"><span><span class=\"gris\">Kameraren gizona<\/span><br \/>\n(Chelovek\u2019s Kinoappar\u00e1tom, Dziga VERTOV, 1929, 67&#8242;)<\/span><\/h4>[vc_column_text]El hombre de la c\u00e1mara Dziga Vertov zuzendari errusiarrak Sobietar Iraultzaren ondoren egindako film dokumental bat da. Ukrainako Kiev eta Odesa hirietan eta Moskun filmatu zen. Zinemaren historiako hamar film onenen artean dago, eta hirietako eguneroko bizitza kontatzen du, makina eta pertsonen espazio- eta mugimendu-orkestrazio koreografiko gisa. Gerrarteko estetika futurista eta konstruktibistatik hurbil dagoen abangoardiako zinema izanik, filmak hainbat hiri-kokapenetan egun batean gertatzen dena deskribatzen du, eguneroko bizitzatik hartutako ehunka planoren bidez. Horien bitartez, hiri-paisaiaren eta herritarren konplexutasuna berreraiki nahi da, muntaketa erabiliz. Baina, El hombre de la c\u00e1mara obra, aldi berean, zinemaren barruko zinema-erakusketa bat da.<\/p>\n<p>Filma hiri-sinfonien erara filmatuta egonik, Vertovek hiriko gertakarien zuzeneko hartualdietara jotzen du, baita beroriek ekoitzi dituen kamerariaren eszenaratzera ere. Ondoren, muntaketa pelikularen barruan ikusgai jarri da, ikusleari urruntze kritikoko efektuak sortzeko, Erwin Piscator eta Bertolt Brecht egileen antzerki epikoaren erara.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; vertical_content_position=&#8221;middle&#8221;]<div class=\"eut-element eut-image eut-align-left\" style=\"\"><div class=\"eut-image-wrapper eut-popup-item\" style=\"max-width:410px;\"><div class=\"eut-thumbnail-wrapper\"  style=\"max-width: 410px;\"><div class=\"eut-thumbnail\"  style=\"padding-top: 156.098%;\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"640\" src=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/el-hombre-de-la-camara.jpg\" class=\"attachment-full size-full\" alt=\"El hombre de la c\u00e1mara\" data-eutf-filter=\"yes\" srcset=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/el-hombre-de-la-camara.jpg 410w, https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/el-hombre-de-la-camara-192x300.jpg 192w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/div><\/div>  <\/div><\/div>[\/vc_column][\/vc_row][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;light&#8221; columns_gap=&#8221;none&#8221; equal_column_height=&#8221;equal&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;0&#8243;][vc_column width=&#8221;1\/2&#8243; vertical_content_position=&#8221;middle&#8221;]<div class=\"eut-element eut-image eut-align-right\" style=\"\"><div class=\"eut-image-wrapper eut-popup-item\" style=\"max-width:410px;\"><div class=\"eut-thumbnail-wrapper\"  style=\"max-width: 410px;\"><div class=\"eut-thumbnail\"  style=\"padding-top: 141.463%;\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"580\" src=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/columbus.jpg\" class=\"attachment-full size-full\" alt=\"Columbus\" data-eutf-filter=\"yes\" srcset=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/columbus.jpg 410w, https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/columbus-212x300.jpg 212w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/div><\/div>  <\/div><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243; rc_bg_type=&#8221;color&#8221; css=&#8221;.vc_custom_1665736767422{padding-top: 40px !important;padding-right: 40px !important;padding-bottom: 50px !important;padding-left: 60px !important;}&#8221; rc_bg_color=&#8221;#00afa9&#8243;]<h3 class=\"eut-element eut-title eut-align-left eut-h4\" style=\"\"><span>20:00<span class=\"eut-title-line eut-title-left-line eut-bg-primary-2\" style=\"width: 50px;height: 1px;\"><\/span><\/span><\/h3><h4 class=\"eut-element eut-title eut-align-inherit eut-h5\" style=\"\"><span><span class=\"gris\">Columbus<\/span><br \/>\n(KOGONADA, 2017, 104&#8242;)<\/span><\/h4>[vc_column_text]Columbus egile-zigilua duen film bat da. Ozu eta Antonioniren arteko bidean dagoen saiakera zinematografiko honetan, zentzuz eta xarmaz, eraikitako espazioek horietan bizi diren biztanleen eta oinezkoen biografia pertsonal eta emozionalak nola laguntzen eta moldatzen dituzten aztertzen da.<\/p>\n<p>Filmaren protagonista Columbusen (Indiana) harrapatuta geratu da ustekabean, bere aita, arkitektoa, gaixotu delako. Hiriko egonaldia nabarmen aldatuko da arkitekturarekiko grina duen liburuzain gazte bat ezagutzen duen unetik aurrera; hark ere hiri horretan geratzea erabaki du, ama zaintzeko, bere nahi pertsonalak alde batera utzita. Filmean, hiriak protagonismo handia hartzen du, izaera eszenografikotik harago, eta protagonisten unibertso biografiko eta emozionalaren azterketa gidatzen du, argumentuko beste pertsonaia bat balitz bezala.<\/p>\n<p>Hiria ezaguna da duen katalogo arkitektonikoagatik, arkitekto hauen eraikinak baititu, besteak beste: Eliel Saarinen eta Eero Saarinen, I. M. Pei, James Stewart Polshek, Skidmore, Owings &amp; Merrill, Richard Meier eta Roberto Venturi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row rc_heading_color=&#8221;primary-2&#8243;][vc_column]<h3 class=\"eut-element eut-title eut-align-inherit eut-h3\" style=\"\"><span>Azaroak 2 <\/span><\/h3>[\/vc_column][\/vc_row][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;light&#8221; columns_gap=&#8221;none&#8221; equal_column_height=&#8221;equal&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;2em&#8221;][vc_column width=&#8221;1\/2&#8243; rc_bg_type=&#8221;color&#8221; css=&#8221;.vc_custom_1665736453011{padding-top: 40px !important;padding-right: 40px !important;padding-bottom: 50px !important;padding-left: 60px !important;}&#8221; rc_bg_color=&#8221;#00afa9&#8243;]<h3 class=\"eut-element eut-title eut-align-left eut-h4\" style=\"\"><span>18:00<span class=\"eut-title-line eut-title-left-line eut-bg-primary-2\" style=\"width: 50px;height: 1px;\"><\/span><\/span><\/h3><h4 class=\"eut-element eut-title eut-align-inherit eut-h5\" style=\"\"><span><span class=\"gris\">Eraikitzen<\/span><br \/>\n(Jos\u00e9 Luis GUER\u00cdN, 2001, 125&#8242;)<\/span><\/h4>[vc_column_text]Obrak dokumentalik onenaren Goya Saria irabazi zuen 1992an. Filmean, Bartzelonako Raval auzo ezaguna birmoldatzeko hirigintzako esku-hartzeen testuinguruan, tokiko hiri- eta herritar-ehunari eragingo dion etxebizitza-bloke bat eraikitzeari ekin zaiola kontatzen da.<\/p>\n<p>En construcci\u00f3n filmak hiri-paisaia eraldatzeko prozesu horretan murgildu nahi du, auzoko bizilagunetan eta egunero eraisteko eta eraikin berria eraikitzeko lanetara joaten diren langileetan oinarritutako pertsonaiez osatutako galeria baten bidez. Zuzendariak berak dioenez: \u00abEraikuntza baten intimitatea ezagutu nahi genuen; beraz, han sartu ginen, gune hori oraindik ere neska-mutilek futbolean jokatzen zuten orube bat zenean. Eremu horretan, elkarrekin bizitzeko, ezagutzeko eta filmatzeko modu bat bilatu genuen \u2014horrela, ordena honetan\u2013, obraren beraren eta haren inguruan sortzen ziren istorioei heltzeko; eraisketen burrunbak auzoan eragindako egunerokotasun horretan, auzotarren artean, auzoan. Prozesu horretan, laster ohartu ginen hiri-paisaiaren mutazioak giza paisaian ere mutazioa sortzen zuela, eta mugimendu horretan munduaren zenbait oihartzun hauteman zitezkeela. Oinarri horien gainean eraiki genuen filma\u00bb.<\/p>\n<p>Literalki, obran bertan egina da, eraikin bat eraisteko eta eraikitzeko prozesuarekin intimitatean. En construcci\u00f3n filmak denboraren joana eta egunero hiri-paisaiaren aldaketekin bizi diren pertsonengan hauteman gabe gertatzen diren eraldaketak kontatzen dizkigu.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; vertical_content_position=&#8221;middle&#8221;]<div class=\"eut-element eut-image eut-align-left\" style=\"\"><div class=\"eut-image-wrapper eut-popup-item\" style=\"max-width:450px;\"><div class=\"eut-thumbnail-wrapper\"  style=\"max-width: 450px;\"><div class=\"eut-thumbnail\"  style=\"padding-top: 134.889%;\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"607\" src=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/en-construccion-2.jpg\" class=\"attachment-full size-full\" alt=\"En construcci\u00f3n\" data-eutf-filter=\"yes\" srcset=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/en-construccion-2.jpg 450w, https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/en-construccion-2-222x300.jpg 222w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/div><\/div>  <\/div><\/div>[\/vc_column][\/vc_row][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;light&#8221; columns_gap=&#8221;none&#8221; equal_column_height=&#8221;equal&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;0&#8243;][vc_column width=&#8221;1\/2&#8243; vertical_content_position=&#8221;middle&#8221;]<div class=\"eut-element eut-image eut-align-right\" style=\"\"><div class=\"eut-image-wrapper eut-popup-item\" style=\"max-width:410px;\"><div class=\"eut-thumbnail-wrapper\"  style=\"max-width: 410px;\"><div class=\"eut-thumbnail\"  style=\"padding-top: 138.293%;\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"567\" src=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/i-wish-i-knew.jpg\" class=\"attachment-full size-full\" alt=\"I wish I knew\" data-eutf-filter=\"yes\" srcset=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/i-wish-i-knew.jpg 410w, https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/i-wish-i-knew-217x300.jpg 217w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/div><\/div>  <\/div><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243; rc_bg_type=&#8221;color&#8221; css=&#8221;.vc_custom_1665736767422{padding-top: 40px !important;padding-right: 40px !important;padding-bottom: 50px !important;padding-left: 60px !important;}&#8221; rc_bg_color=&#8221;#00afa9&#8243;]<h3 class=\"eut-element eut-title eut-align-left eut-h4\" style=\"\"><span>20:00<span class=\"eut-title-line eut-title-left-line eut-bg-primary-2\" style=\"width: 50px;height: 1px;\"><\/span><\/span><\/h3><h4 class=\"eut-element eut-title eut-align-inherit eut-h5\" style=\"\"><span><span class=\"gris\">I Wish, I Knew. Shangaiko istorioak<\/span><br \/>\n(Jia ZHANG-KE, 2010, 138&#8242;)<\/span><\/h4>[vc_column_text]Hiriko esperientziari eta hiriaren memoriari buruzko film bat da, bertako biztanleen kontakizunaren bidez kontatua. Shanghai etengabe hazten ari den portu-metropoli bat da, eta modu batera edo bestera hiriaren historia nahasia bizi izan duten askotariko pertsonaiak bizi eta ibiltzen dira han. Iraultza komunistaren ondoren, 1949an, biztanleriaren zati handi bat Hong Kongera eta Taiwanera joan zen; ondorioz, haietako batzuek beren familietatik eta etxeetatik banandu behar izan zuten, hogeita hamar urtez baino gehiagoz. Hemezortzi pertsonak Shanghai barruan eta handik kanpo bizi izandakoa gogoratzen dute.<\/p>\n<p>Testigantzekin batera, hirian zeharreko ibilbidea eta sentimenduz betetako leku txikien eta haietan bizitako gertaeren oroimenaren aurkikuntza aurkezten zaizkigu, biztanleen gorputzean haragitu izan balira bezala, hiriaren historiako ia mende bateko kontrasteak, argiak eta itzalak berreraikitzeko.<\/p>\n<p>Hiriko etengabeko esku-hartzeak, hiriaren erritmo sinkopatua, desparekotasun sozialak eta iraganaren eta orainaren arteko kontrastea poetikoki hedatzen dira, kontakizunaren tratamendu erritmiko baten bidez, eta pertsonaietara errespetuz hurbilduta. Haien testigantzek hiriko bizitzari zentzu berri bat ematen diote.[\/vc_column_text][\/vc_column][\/vc_row][vc_row rc_heading_color=&#8221;primary-2&#8243;][vc_column]<h3 class=\"eut-element eut-title eut-align-inherit eut-h3\" style=\"\"><span>Azaroak 3<\/span><\/h3>[\/vc_column][\/vc_row][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;light&#8221; columns_gap=&#8221;none&#8221; equal_column_height=&#8221;equal&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;2em&#8221;][vc_column width=&#8221;1\/2&#8243; rc_bg_type=&#8221;color&#8221; css=&#8221;.vc_custom_1665736453011{padding-top: 40px !important;padding-right: 40px !important;padding-bottom: 50px !important;padding-left: 60px !important;}&#8221; rc_bg_color=&#8221;#00afa9&#8243;]<h3 class=\"eut-element eut-title eut-align-left eut-h4\" style=\"\"><span>18:00<span class=\"eut-title-line eut-title-left-line eut-bg-primary-2\" style=\"width: 50px;height: 1px;\"><\/span><\/span><\/h3><h4 class=\"eut-element eut-title eut-align-inherit eut-h5\" style=\"\"><span><span class=\"gris\">Pina<\/span><br \/>\n(Wim WENDERS, 2011, 106&#8242;)<\/span><\/h4>[vc_column_text]Wim Wendersek dantza garaikidearen erreferente Pina Bausch dantzari eta koreografo alemaniarrari egindako omenaldia, haren konpainiako kideen testigantzen bidez.<\/p>\n<p>Wendersek, bere ibilbide zinematografikoan zehar, begirada berezi bat garatu du, nostalgikoa eta arakatzailea aldi berean, bere filmen kokapen diren hiriei buruz. Alicia en las ciudades edo El cielo sobre Berl\u00edn filmetatik hasi eta Una historia de Lisboa edo Palermo Shooting lanetaraino, zuzendariak lehentasunezko lekua eman dio hiri-paisaiari, bere filmen argumentu-garapenean eta estetika ibiltarian.<\/p>\n<p>Baina, hiri-arlorako hurbilketa horien barruan, dantzan oinarritu ohi den proiektu artistiko bat jasotzen da, Los hermanos Sklanadowsky lanean gertatzen den bezala, dantza modernoaren aitzindari Loie Fuller dantzariarekin lotuta; gauza ikus daiteke Pina lanean, zeinetan dantzaren eszenaratzeak konpainiaren bizileku den Wuppertal hiriko (Ipar Renania-Westfalia) arkitektura- eta hiri-espazio nagusiak zeharkatzen dituen, hiri-espazioaren hedapen koreografiko bat osatu arte.<\/p>\n<p>Bestalde, Pinak berak, hirian film esperimental bat egin ondoren, hiri-esperientziara jo zuen hurrengo ekoizpenetan, koreografia-sorkuntzako prozesua elikatzeko; hala, filmean, hiriari buruzko benetako begirada-gurutzaketa bat gertatzen da, zinemaren eta dantzaren artean.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; vertical_content_position=&#8221;middle&#8221;]<div class=\"eut-element eut-image eut-align-left\" style=\"\"><div class=\"eut-image-wrapper eut-popup-item\" style=\"max-width:410px;\"><div class=\"eut-thumbnail-wrapper\"  style=\"max-width: 410px;\"><div class=\"eut-thumbnail\"  style=\"padding-top: 150.488%;\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"617\" src=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/pina.jpg\" class=\"attachment-full size-full\" alt=\"Pina\" data-eutf-filter=\"yes\" srcset=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/pina.jpg 410w, https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/pina-199x300.jpg 199w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/div><\/div>  <\/div><\/div>[\/vc_column][\/vc_row][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;light&#8221; columns_gap=&#8221;none&#8221; equal_column_height=&#8221;equal&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;0&#8243;][vc_column width=&#8221;1\/2&#8243; vertical_content_position=&#8221;middle&#8221;]<div class=\"eut-element eut-image eut-align-right\" style=\"\"><div class=\"eut-image-wrapper eut-popup-item\" style=\"max-width:410px;\"><div class=\"eut-thumbnail-wrapper\"  style=\"max-width: 410px;\"><div class=\"eut-thumbnail\"  style=\"padding-top: 144.146%;\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"591\" src=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/the-forgotten-space.jpg\" class=\"attachment-full size-full\" alt=\"The forgotten space\" data-eutf-filter=\"yes\" srcset=\"https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/the-forgotten-space.jpg 410w, https:\/\/biarchitecture.org\/wp-content\/uploads\/2022\/10\/the-forgotten-space-208x300.jpg 208w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/div><\/div>  <\/div><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243; rc_bg_type=&#8221;color&#8221; css=&#8221;.vc_custom_1665736767422{padding-top: 40px !important;padding-right: 40px !important;padding-bottom: 50px !important;padding-left: 60px !important;}&#8221; rc_bg_color=&#8221;#00afa9&#8243;]<h3 class=\"eut-element eut-title eut-align-left eut-h4\" style=\"\"><span>20:00<span class=\"eut-title-line eut-title-left-line eut-bg-primary-2\" style=\"width: 50px;height: 1px;\"><\/span><\/span><\/h3><h4 class=\"eut-element eut-title eut-align-inherit eut-h5\" style=\"\"><span><span class=\"gris\">The Forgotten Space<\/span><br \/>\n(Allan SEKULA, No\u00ebl BURCH, 2010, 1h52m)<\/span><\/h4>[vc_column_text]N\u00f6el Burch zinemako teoriko eta errealizadoreak eta Allan Sekula argazkilari dokumentalistak zuzendutako saiakera dokumental bat da, itsas merkataritzari eta horrek tokiko ekonomietan eta portu-hirien garapenean duen inpaktuari buruzkoa. Allan Sekulak portuko espazioei buruz hasitako ibilbide luzeko proiektu fotografiko batean oinarritzen da filma, eta behin eta berriz itsasora jotzen du, izenburuari jarraikiz, sarritan ahaztua den espazio horretara, zeina hondamendi naturalen eta giza ezbeharren harira soilik agertzen den kontzientzia publikoan.<\/p>\n<p>The Forgotten Space lanak, halaber, ingeniarien, hirigileen eta itsasoko langileen kontakizunetara jotzen du, baita beste zenbait pertsonaren testigantzetara ere, jakinik haien iritziak ez direla kontuan hartzen, mundu mailako ekonomiaren hariak, lan deslokalizatuaren nazioarteko bilbeak eta portuetako hirietako hiri- eta gizarte-ehunean sustatzen dituen eraldaketa sakonak itsasoan ezkutatzen dituen sistema sofistikatu honetan. Filmean, hainbat langileren hitzak zabaltzen dira: Holandatik eta Belgikatik joandako baserritarrak, munduko ekonomiaren oreka ahulari eusten dioten soldata baxuko txinatar langileak, eta kamioilari gainesplotatuak, esaterako, Los Angelesekoak, zeinak ahal duten moduan bizirauten duten, itsas ekonomiaren inguruan garatzen diren hirietan, besteak beste, Bilbon.[\/vc_column_text][\/vc_column][\/vc_row][vc_row padding_top_multiplier=&#8221;2x&#8221; separator_bottom=&#8221;tilt-left-separator&#8221; rc_margin_bottom=&#8221;0&#8243;][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row padding_top_multiplier=&#8221;4x&#8221; padding_bottom_multiplier=&#8221;2x&#8221; rc_heading_color=&#8221;light&#8221; rc_bg_type=&#8221;gradient&#8221; rc_bg_gradient_color_1=&#8221;#66625b&#8221; rc_bg_gradient_color_2=&#8221;rgba(102,98,91,0.78)&#8221; separator_top=&#8221;tilt-left-separator&#8221; separator_top_size=&#8221;60px&#8221; separator_bottom_size=&#8221;60px&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;80px&#8221;][vc_column rc_heading_color=&#8221;light&#8221; z_index=&#8221;10000&#8243;][\/vc_column][\/vc_row][vc_row padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;primary-2&#8243;][vc_column width=&#8221;2\/3&#8243; rc_bg_type=&#8221;color&#8221; rc_bg_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1605869515982{padding-top: 60px !important;padding-right: 60px !important;padding-bottom: 60px !important;padding-left: 60px !important;}&#8221;][vc_column_text] Azaroaren 1etik 3ra Bizkaia Aretoa, Mitxelena Aretoan Ikusi kokapena &#8211; Ikusi gelaren planoa[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row rc_heading_color=&#8221;primary-2&#8243;][vc_column][\/vc_column][\/vc_row][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;&#8221; rc_heading_color=&#8221;light&#8221; columns_gap=&#8221;none&#8221; equal_column_height=&#8221;equal&#8221; rc_font_color=&#8221;#ffffff&#8221; rc_margin_bottom=&#8221;2em&#8221;][vc_column width=&#8221;1\/2&#8243; rc_bg_type=&#8221;color&#8221; css=&#8221;.vc_custom_1665736453011{padding-top: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9408,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9416","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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